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Best Eurorack Modular Gear of 2024

New Gear from ALM, Bastl, Xaoc Devices, Tiptop, & More

Perfect Circuit · 12/02/24

As 2024 draws to a close, we're taking a look back at all the wild new gear that came out this year. In the Eurorack realm, we saw seemingly countless new developments: newcomers to the scene came in with incredibly strong new offerings, and long-standing favorite companies expanded their lineup with all manner of new tools. Obviously, this isn't a comprehensive list—but it's a good glimpse into some of the year's most exciting developments.

Let's take a look at our favorite new Eurorack modules of 2024.

ALM Busy Circuits Cizzle

The ALM Busy Circuits Cizzle is a rad new oscillator design—this time taking on the distinctly '80s-sounding technique of phase distortion. Phase distortion was first introduced by Casio in their CZ Series consumer synthesizers in the 1980s. Phase distortion was, more or less, a means by which Casio could step around Yamaha's FM patent, which gave them an effective foothold on digital synthesizer design. Phase distortion presented a distinct method for achieving similar tones as those enabled by FM synthesis—but today, we recognize it as a unique technique with its own peculiar sonic potential.

ALM would seem to agree. The new Cizzle is a sort of exploded, all-out, super flexible take on the sound and functionality of the CZ series synths, complete with the resonance wave generation, ring modulation, and noise modes that basically define the CZ sound.

Cizzle includes two oscillators, each with their own voltage-controllable level control (great for layered sounds). A clever encoder-based tuning scheme makes it easy to dial in specific octave/semitone/fine tune increments. Oscillator B can be set to track oscillator A—again, great for layered sounds.

Oscillator A's shape parameter controls the phase distortion depth; the PD Algo control continuously morphs between nine distinct phase distortion algorithms. Between the two, you have a huge range of sonic terrain available—especially when you put the Shape and PD Algo CV inputs to use. The Level controls can be treated like VCAs, allowing you to generate articulation with external envelopes or other CV sources.

Oscillator B also features a shape control—which, depending on the selected B Mode, can create a number of different effects. In Rez mode, the B Shape parameter allows you direct access to the classic CZ resonance-modeling waveform. This sounds remarkably similar to a resonant filter...and by sweeping or modulating the Oscillator B Shape parameter, you get all manner of snarling, acid-style tones. With the Mode set to Ring, the B output produces the ring-modulated product of oscillators A and B (with Shape still giving you that nasty snarly resonant sound). Naturally, engaging or disengaging pitch tracking between the two oscillators can have a profound effect in this mode. With B Mode set to Noise, you get digital noise blended into the resonant waveform—with Shape controlling the general character of the sound. If you weren't already convinced that this module can sizzle, well, Noise mode will clue you in. Fun fact: you can also use a clock to cycle through all of the B modes in order. Nice.

Finally, Chord mode engages an interesting feature, in which both oscillator A and B can produce independent four-voice chords. By turning the Chord knob, you can access a table of distinct chords, great for easy access to harmonic tones. Toward the end of the travel of the Chord control, you get gradually deepening unison detune sounds—for yet another classic style of '80s digital synthesizer sounds.

If you want an oscillator with a distinctly '80s character that you can push into truly weird and fun new turf, give Cizzle a look and listen.

Bastl Instruments Neo Trinity

In 2024 Bastl Instruments followed up their innovative and too-often-overlooked CV Trinity with its spiritual successor, Neo Trinity. This potent 6-channel modulation source can create just about any modulation shape you're after, with a workflow that prioritizes recorded knob movements and button presses to derive groovebox-style parameter locking and sequencing sure to impress the Elektronaut in your life.

While many Eurorack tools have been created to offer algorithmic or so-called generative automations of patch parameters, Neo-Trinity takes a different approach by making it fast and easy to create the shapes you want through realtime interaction with its interface. Happy accidents are wonderful, but when you know what you want, being able to quickly create a desired modulation can often make all the difference for effectively recording and making music on a modular system. Of course, there's also plenty of algorithmic and self-patched chaos potential via the CV and Meta CV inputs, letting you quickly create an intentional gesture which can be reconfigured with CV to create subtle variations and dramatic transformations alike.

Recordable modulation isn't totally new to the Eurorack space, as the Neo-Trinity itself is a follow up to one such device, but its deep feature set and complex potential in just 8HP make it an absolute powerhouse in any system. Covering everything you can do with this device would take at least an evening, but Bastl's tutorials and manual can have you button mashing and knob twisting in no time. Much like the groovebox workflows it brings to modular synths, Neo-Trinity is packed with button combos, and really rewards some practice. Luckily, its wide variety of envelopes, triggers, LFOs, pitch sequences, and virtually endless potential will easily lock you in the studio having fun for hours. If you haven't yet had the chance to see what Neo-Trinity can bring to your modular workflow, follow the white rabbit and try out Neo-Trinity in your own system.

Befaco Oneiroi

Befaco's latest collaboration has brought us Oneiroi, a unique blend of sound generators and effects processors ideal for creating cinematic drones, wildly modulated noise textures, and much more depending on your use of the stereo signal input and flexible routing options. Working together with Rebel Technology and using their Owl Mk3 platform to implement custom DSP for Oneiroi, Befaco has made a truly unique addition to the Eurorack market. While Oneiroi's densely packed panel of signal mangling fun excels at drone textures on its own, its many patch points invite a world of creative possibilities, combining many useful and unique sound design tools in a package well worth building a system around.

Divided into sound generating tools on the left and effects processors on the right, Oneiroi delivers numerous ways to both create and shape sounds into captivating textures. On the sound generators side, you have a stereo input, which feeds into a varispeed looper as well as directly into the effects section. Additionally, a sine wave oscillator and selectable stereo supersaw or wavetable oscillators add deeply rich drones, with shared CV inputs to modulate frequency and detuning. The wavetable oscillator is derived from the looper buffer, giving you a unique yet related timbre to pair with your input signal. These sources are all processed through a mixer before heading to the effects section.

The effects in Oneiroi are very flexible and performative, with another mixer dedicated to each effect. The state variable filter with a unique comb mode can be placed in multiple different positions of the signal chain in real time, adding tons of flexibility during performance. The resonator, echo, and ambience reverb effects similarly invite inspired tweaking, with the many panel controls inviting instrument-esque interactions with these effects. Modulation can be routed selectively to nearly all of Oneiroi's parameters, quickly creating wildly modulated textures or subtle shifting depending on the mod level setting. Perhaps most fun of all, a random button lets you randomize the settings for effect, looper, oscillators, or all simultaneously, making it easy to find inspiring sounds in the studio or create stark changes during an improvised performance.

In many ways, Oneiroi offers not just a module dependent on its surrounding functions in other units, but a rather comprehensive instrument in itself which grows even more flexible and otherworldly in the context of a modular system. Its many CV inputs for affecting parameters and controlling the mixer levels unlock many new musical possibilities, notably rhythmic syncing and more percussive characters which are harder to achieve without additional audio and CV inputs. If you are inspired by haunting, cinematic sounds and deeply complex patch possibilities, Befaco's Oneiroi is a well of experimental capabilities waiting to be explored.

DivKid DivSkip

DivKid is YouTube's preeminent Eurorack aficionado who has recently come out with a whole lineup of collaborations with some of the biggest names in Eurorack design. This year, he worked with Making Sound Machines to create a compact, powerful, and intuitive gate and trigger processor called the DivSkip. Coming in at just 8hp, this is really a handy tool for anyone working with rhythmic patches—offering 8 modes of trigger manipulation utilities across 4 discrete channels that function independently.

Adding subtle or extreme trigger changes to a patch can be a simple way to add some variation and interest. With DivSkip, you get so many different flavors that at least a couple that will find their way into your patching workflow. You get a classic Bernoulli Gate, made famous by the Mutable Instruments Branches module, a classic clock divider, and yet another classic in the form of a Turing Machine-like shift register-based gate generator. Two Euclidean modes offer unique pattern,s and two trigger/gate modes will shoot out a stream of triggers based on the input. The final mode can take over the entire module and give you 8 trigger outputs that are related to drum patterns with Bass, Snare, Hats, etc so it can be a great tool for quickly creating full percussive patterns. This mode can function on single channels as well, working more like the Mutable Marbles t section.

The DivSkip user interface might just be the crowning achievement of this entire device. With a single knob for each channel that are all available simultaneously, it practically begs to be performed. Each knob has a red/blue A/B side that will relate directly to the 2 outputs for each channel in musical ways. Each channel's knob is a push encoder and when pressed will mute the channel; these muted states can be saved and accessed quickly with the M1 and M2 switch.

While many Eurorack modules are packed with features and screens and menus to access their vast functionality, this device offers a refreshing alternative. Easy to select and remember modes that are distinct variations on a theme makes this a fantastic and useful utility.

Erica Synths Graphic Resonant Filterbank

After years of development and teasing, the Erica Synths Graphic Resonant Filterbank finally hit the market in 2024. Following in the footsteps of their Graphic VCO, the Resonant Filterbank employs a vibrant display to help you arrange an array of analog filters with precise digital control. It's a malleable source of unique equalization and filtering options, expansive in both its parameterization and the ability to instantly transform itself through clock-able preset recall.

The astute observer may recognize a familiar selection of frequency bands on the Graphic Resonant Filterbank. Erica Synths has borrowed the (mostly) Major 7ths tuning of the classic Serge Resonant Equalizer, which aims to avoid emphasizing harmonic overtones across multiple octaves and leads to a more balanced equalization. Of course, when you consider that the Graphic Resonant Filterbank offers both assignable CV control over its bands and the ability to save, recall, sequence, and morph between snapshots of settings, there are completely uncharted sonic territories waiting to be discovered with this module.

However, even without considering the power of presets, Erica's module goes well beyond the capabilities of the Resonant EQ. Alternative modes allow for macro-level control of all bands, using them in tandem to create the effects of common filters such as lowpass, highpass, bandpass, and notch. Other utilities like the Spectrum Analyzer and Dynamic Equalizer allow you to visualize and tame frequencies with greater ease.

Alongside the main module, Erica also offers the companion Graphic Resonant Filterbank Expander, providing you with dedicated knobs to manually and directly boost or cut the level of each band. If you're seeking the ability to "play" the Filterbank by hand, which is something you would totally do in the context of a gnarly feedback patch, we'd consider this Expander an essential addition.

Expert Sleepers Disting NT

It's been a long strange trip since the 2014 release of the original Disting multifunction module from Expert Sleepers, and despite a decade of development in the Eurorack world, Disting and its descendants continue to crop up in all sorts of systems. Undoubtedly, this is due not only to the relative utility of multifunctionality in a format defined by unlimited patchability within a physically limited system, but also because Andrew Osman and Expert Sleepers have continued to improve and iterate on the Disting to keep up with contemporary demands of the Eurorack market. In 2024, the Disting mk4 and EX variants continue to offer the same great value to Eurorack synthesists: virtually any function you need, when you need it, with even more to come in firmware updates.

This year we were treated to a new revolution in both hardware and software for the Disting platform, the Disting NT. While its predecessors were often thought of as compact, Swiss-army knives for any system, Disting NT is larger and much more powerful, making a more fitting comparison require a jump in orders of magnitude - this thing is like a whole modular tool shed. Physically expanded with a large screen, twelve inputs, and six outputs, the NT's increased size and connectivity are indicative of its similarly expanded processing capabilities. With a new processor onboard, Expert Sleepers has revitalized the format to offer new and returning algorithms which can be both used independently or connected together with an internal bus system to derive more complex functions.

In practice, this means that using the Disting NT is a bit different from using one of the smaller units, in that how you set up the routing of multiple algorithms is more open-ended. However, it fulfills a similarly multifaceted role in most users' systems at a much greater capacity, readily offering multiple useful functions, a group of algorithms connected to form a more complex function, or even both of these simultaneously. Thanks to its included Tiny MIDI Breakout, it also excels as a MIDI polyphonic synth or controller. Since these functions can all be saved to preset slots, most users will likely find they spend some time setting up multiple configurations they enjoy, then swapping between them as needed.

Been eyeing that big modular mixer with onboard DSP effects? Disting NT does it. Ogling that creative algorithmic sequencer? Disting NT does it. Longing for modular polyphony? You betcha, Disting NT does it. All this, and much more, make it hard to offer a better bang for your buck in the Eurorack world. With more algorithms in the works in future firmware, the capabilities of Disting NT will only increase. While the Disting NT was one of our favorites this year, the future looks even brighter moving into 2025, so we can't wait to see how Disting NT shakes up systems all across the Eurorack world.

Intellijel Atlantix

Intellijel’s highly anticipated follow-up to the Atlantis, the Atlantix, delivers a powerful full subtractive synthesizer voice, drawing inspiration from the legendary Roland SH-101. At its core are two triangle-core VCOs, offering remarkable versatility and precision. VCO A features TZFM (Through-Zero Frequency Modulation) for added depth, paired with a dedicated FM Index VCA for detailed, musical tones. VCO B, with its ability to serve as either a modulation source or stacked for rich, thick sounds, provides powerful options for creating everything from deep bass to lush pads and soaring leads. It also includes independent octave switching and a unique Spike waveform output—a square wave with a fixed high-pass filter (HPF).

The onboard mixer allows for flexible waveform blending, including VCO A's Sub, Noise, and two Aux sliders, which are normalized to additional waveforms like triangle and sine from VCO A, or square and saw from VCO B. A standout feature of the Aux 2 input is the option to bypass the VCF and route directly to the VCA, a design inspired by the CS-80, producing glassy textures and rich harmonics.

The Atlantix is equipped with a versatile multimode 4-pole filter that offers low-pass, high-pass, band-pass, and phaser modes. The filter can self-oscillate and tracks precisely with 1V/octave. For modulation, you get three built-in sources: two FM sliders and an Envelope slider, with FM2 and Envelope offering inversion options. The expander module provides dedicated outputs for each filter mode.

Modulation is a key feature for sound design, and Atlantix takes it to the next level with two 8-position switches for Mod X and Mod Y, each with polarity settings for Bipolar or Unipolar modulation. Mod X is normalized to VCO A’s pitch, while Mod Y affects the VCF frequency, both with outputs to integrate seamlessly into your system. The VCA offers two distinct drive flavors, adding warmth and character to your sound.

Whether as the heart of your modular setup or as a standalone powerhouse, Intellijel’s Atlantix gives you all the analog warmth and sonic flexibility you need for deep, evolving sounds.

Joranalogue x Hainbach Collide 4

Hainbach is the lord of musical test equipment, offering his unique take and exceptional ear to the internet via his wildly popular YouTube channel. In the past he's done software collaborations, but this year marks his first foray into Eurorack. He worked with Joranalogue, a top-tier module company that makes high-quality modules, to create the Collide 4—which is billed as a Quadrature Spectral Computer. What this meaningfully translates to is a shrunk down version of a special class of nuclear test equipment, specifically the lock-in amplifier…but with a unique dual X/Y topology.

It's difficult to describe this module because nothing like it exists in the Eurorack or musical world: it has oscillators, a filter, external audio input, but they all function in a way that is incredibly idiosyncratic. On top of that, you have not one or two, but a full nine outputs to play with. The Collide 4 works best when you have no preconceived notions and all yourself the ability to play—it works nicely with external audio no matter the source thanks to an eye boggling +130dB of gain along with plenty of modulation sources to give a bit of movement and interest to the sound. You can also use this as a more traditional oscillator, as well, as it tracks quite nicely and both oscillators have a V/Oct trimmer right on the front if you need to calibrate the device.

With Eurorack it's easy to find overlap with softsynths, keyboard synthesizers, and grooveboxes in terms of results. Increasingly, you even find CV on these non-modular devices which can blur the lines even more. With the Collide 4, however, it is a modular synthesist's module with very little overlap with other devices offering unique sounds and processing. It also truly shines when different modulation sources are available: LFOs, sequencers, random sources, complex envelopes, all of these can be patched into the Collide 4 to create different and strange sonic tapestries.

Be sure to check out our full interview with Hainbach and Joran von Gremberghe about Collide 4's development and realization.

OHM Force Ohmicide

Ranking high on the list of unexpected releases in 2024, the OHM Force Ohmicide brings a uniquely signature style of sonic decimation to Eurorack systems. Ohmicide joins the growing list of super sick modules built on Electrosmith's Daisy platform, though of course, its roots are in OHM Force's legacy software plugin of the same name. The original is considered a pioneer of the "shaper" plugin genre, but it finds itself incredibly at home within the context of gnarly Eurorack patches.

Ohmicide boasts an impressive 111 different algorithms for shaping and distorting signals and benefits from generous patchability and control. Parameters like Gain, Bias, and Xover (crossover) yield powerful results over whatever signals are being processed, while lowpass filters on the input and output stages allow you to tame or accentuate the brutality accordingly. You can even patch in control voltages to change the Type of distortion on the fly!

Given the growing desires for skronky sounds and sonic destruction within the Eurorack realm, it comes as no surprise that a module like Ohmicide would be quickly adopted as a new favorite for distortion. And thanks to its stereo design, it easily fits into any position within a signal chain from start to finish. Ohmicide is perhaps the premier source of sonic destruction in the Eurorack ecosystem.

Qu-Bit Stardust

Qu-Bit’s Stardust is a stereo varispeed looper that draws inspiration from classic tape machines, offering customizable Hiss and Flutter effects. It lets you dynamically add or remove splices for creative loop manipulation. With an ultra-low noise floor, 48kHz 32-bit internal processing, and 24-bit hardware, Stardust delivers exceptional audio quality with clickless looping, making it one of the cleanest options available for Eurorack. Capture crystal-clear loops, while adding subtle character through the Hiss and Flutter effects, and introducing saturation via the input preamp if desired.

Stardust features four effect modes: the default Tape mode, a Digital mode that swaps the Hiss and Flutter knobs for downsampling and bitcrushing, a Reverb mode that repurposes them for controlling amount and time, and a Filter mode with high and low-pass filters.

You can manipulate the recorded buffer with several controls, starting with the Start knob, which lets you scrub through the loop, and the Size knob to define its length. The Slice knob slices the loop into evenly spaced segments, with the slice size varying according to the loop length (down to 62ms). The Skip knob adds unpredictability, determining the chance that slice transformations will occur, which could include random loop size adjustments, slice jumping, reset, panning changes, or speed alterations.

At its core, Stardust is a versatile looper with four looping modes: Sound On Sound (which overdubs new audio onto the buffer), Replace (which overwrites previous audio), Resample (which adds new recordings instead of overdubbing), and Frippertronics (which gently degrades and fades out old audio). The large Varispeed knob lets you control the playback speed and direction, with a 1V/oct input for easily sequencing melodic material.

Qu-Bit’s Stardust is a powerful module for anyone interested in looping, manipulating, or experimenting with sound, making it a must-have for creative sound designers and musicians alike. If you want to learn more, be sure to check out our full interview with Andrew Ikenberry, Qu-Bit's CEO and lead designer.

Syntonie Stable

Syntonie has felt the video synth vacuum and has slowly filled the void with their excellent affordable video synth modules. This year they released one of the best utilities for any video artist using glitch: the Stable. Capturing analog video is not as simple as plugging in a single device, often you need to make sure you have the size with an upscaler, you need to convert the analog signal to video and this all culminates with a video capture device. Modern video capture devices are designed to automatically detect signals and this is where we end up with an issue. When glitching video, the signals can become delightfully corrupted which look great on a CRT, can be captured on VHS, but will turn off a capture card. This problem is what the Syntonie Stabilizer fixes.

In a way it's like a send/return but for video: you get your signal all set, run it out of the Processor (more on that later) into your glitch device, back into the Stabilizer and then finally out to your capture card or other pre-capture equipment. It will preserve the structural integrity of the signal giving you a safe space to obliterate your signal however you see fit. It does this by blending a bit of the pre-stabilized image into the Stabilizer section, which is different from a time base corrector. Broken into two sections, the Stabilizer section we've gone over, but the Processor section is equally as impressive.

Even if you don't use glitch effects, the Processor is a powerful Contrast, Brightness, Hue and Saturation amplifier that can push the limits of your video signal. All parameters have a CV jack and attenuverter which works great when self-patched for some wicked feedback, or throw an oscillator/ramp in one of the inputs for extra modulation and coherence. Whether you have a modular video system or not, if you work with analog video in any capacity you need this. Oh, and also—it's available in both Eurorack and standalone formats.

Tiptop Audio’s ART Series

Polyphony and tuning have always been a challenge in the modular world, where flexibility often comes at the cost of practicality. Tiptop Audio’s ART protocol takes a bold step toward solving this decades-old dilemma. This year we finally saw the release of the initial batch of ART-series modules comprising OCTOPUS MIDI-CV converter, ART Quad Quantizer, a pair of VCOs with contrasting flavors like the analog ATX1, and digital wavetable-based VORTEX, and the Control Path ART Voice Dynamics coupling envelope and VCA functions, and more are yet to come like the announced OCTOPASS and Vortex 6.

The OCTOPUS module is at the heart of the ART ecosystem, functioning as a MIDI-to-ART converter and voice controller that enables precise pitch tracking and effortless voice allocation. The ART Quad Quantizer complements it by translating CV signals from sequencers, LFOs, or random sources into stable, musically tuned ART messages, ensuring perfect integration of analog control into polyphonic patches. For sound generation, the ATX1 Analog VCO delivers classic warmth and stability with features like FM and hard sync, while the VORTEX Digital Oscillator adds modern flexibility with wavetables and customizable waveforms. Both oscillators leverage ART's precision pitch tracking for impeccable tuning, making them ideal for building polyphonic voices. Completing the system, the Control Path module combines dual ADSR envelopes and a VCA, streamlining dynamic control and modulation for expressive sound shaping.

Central to ART’s vision is the introduction of Polytip—a revolutionary patching format that uses USB-C-like connectors to streamline polyphonic patching, reducing the cable clutter of traditional methods. By supporting multi-core connections for audio and CV, Polytip is poised to redefine modular polyphony, offering easier setup and more elegant integration between ART-compatible modules.

Tiptop Audio’s ART format marks a turning point in modular synthesis, bringing polyphonic patching within reach of enthusiasts while maintaining the spirit of modular experimentation. With more ART modules and Polytip innovations on the horizon, this ecosystem not only addresses longstanding limitations but also opens exciting possibilities for modular synthesis yet to come. Learn more about ART in our dedicated article here.

Xaoc Devices Berlin

Introduced at Superbooth 2024, the Xaoc Devices Berlin is a new oscillator—and one of the latest additions to the Xaoc Leibniz subsystem. So, what is the Leibniz subsystem, you might ask? In brief, the Leibniz modules are a suite of tools for exploring analog-to-digital and digital-to-analog conversion in your Eurorack modular synthesizer. Using modules like Drezno, you can turn any analog signal into a stream of eight gates—their instantaneous state derived from the amplitude of the incoming signal. You can do all sorts of things to these gates: use them for lookup functions, perform logic operations, use them as rhythm sequences, and much more. To get deeper into the details, check out our recent interview with Xaoc Devices—but for now, let's focus on Berlin in particular.

In some ways, Berlin is one of the most specialized members of its family: while many Leibniz modules are quite open-ended in function, Berlin is, at its core, an oscillator. This also makes it one of the most approachable entry points for working with the Leibniz modules, as well. First, let's look at its functionality outside the Leibniz system; then let's discuss some of it extended potential.

At a glance, Berlin looks much like any other oscillator: it features octave selection, a continuous pitch control, 1V/octave pitch CV input, and square and saw wave outputs. It can be hard sync'ed to external sources and frequency modulated—all in all, a pretty typical set of functions for an oscillator. One of its remarkable capabilities, though, is its frequency range: in low frequency mode, it can move as slowly as 30 seconds per cycle—and in high frequency mode, it can go up to a whopping 250kHz—over ten times above the range of human pitch perception. This makes it useful as a clock source for BBDs, or as a control source for other Leibniz modules.

The LBZ Link function is where the fun really begins, and where Berlin becomes truly special. This enables a behind-the-panel linkage to any of a number of Leibniz modules—at which point, the saw output produces a digital-to-analog-converted version of the data from the connected modules. One of the most obvious use cases is to pair Berlin with Jena, which contains a large number of binary lookup tables. In essence, this turns Berlin into an eight-bit wavetable oscillator with an uncommonly wide frequency range—and one that allows for uncommon sorts of manipulation of waveshape. Likewise, you could pair Berlin with Rostock (a shift register-based module) for peculiar random/evolving waveshapes.

But that's still just scratching the surface: using Berlin with other Leibniz modules can unlock remarkably complex opportunities for low-frequency signal generation, oddball audio, and extreme high-frequency excursions. If you're looking for a fresh approach to your modular system, Berlin just might be the thing that opens new gateways.